The gamble of the Impressionists
Manet, Monet, Renoir
9 October 2014 > 8 February 2015
The museums have not yet dedicated an event or comprehensive study to Paul Durand-Ruel (1831-1922), one of the greatest dealers in the world at the turn of the 20th century and a major figure in the history of Impressionism. From the beginning of the 1870s, Paul Durand-Ruel discovered and supported Impressionist painters with flair and passion, buying and selling thousands of Impressionist paintings, including the masterpieces of the movement, often in difficult circumstances. A painting «missionary» as Renoir liked to call him, he also contributed to the invention of the modern art market and gave an unprecedented international dimension to his gallery, particularly in the United States. At the turn of the 20th century, the dealer had established the largest European and American Impressionist collections, both public and private.
Through some 80 paintings, drawings, photographs and documents, the exhibition will recount a crucial time, from the end of the 1860s to the turn of the 20th century, where an artistic avant-garde gained international recognition driven by an enterprising and inventive dealer.
By considering the part played by a gallery in actually writing the history of a movement and its appreciation, both the exhibition and the catalogue, which is designed as a richly illustrated reference work, will reflect the detailed research that is kindly and generously supported by the Archives Durand-Ruel.
An exhibition organised by the Réunion des musées nationaux- Grand Palais in partnership with the Musée d’Orsay and in cooperation with the National Gallery, London, and the Philadelphia Museum of Art. It will be presented at the National Gallery, London from 4 March to 31 May 2015, then at the Philadelphia Museum of Art from 18 June to 13 September 2015.
From Tuesday to Thurday 10:00 am to 7:00 pm
Monday and Friday from 10:00 am to 10:00 pm
Saturday and Sunday from 9:00 am to 8:00 pm
Picture : Danse à Bougival (détail), 1883, Pierre-Auguste Renoir © Museum of Fine Arts, Boston